The London Film Festival is just around the corner and I’ve already got a post about that detailing things such as screenings and A Conversation with Takashi Miike. Here’s something really interesting that has just been announced by the Japan Foundation: Naoko Ogigami will be in conversation with Jasper Sharp during the festival.
The event will take place on October 14th, 2017 from 15:00 at La Médiathèque (Institut Français), 17 Queensberry Place, London SW7 2DT. This event is free to attend but booking is essential. To book a place, head over to the Eventbrite website.
Here are more details from the Japan Foundation:
Naoko Ogigami is an award-winning director and scriptwriter, and is considered one of the most commercially successful female filmmakers in Japan. An auteur with a huge domestic following, Ogigami writes and directs all her films with a renowned calming cinematic approach and her films feature recurring themes of culture clashes and characters thrown into unusual circumstances, epitomised in her hit dramas Kamome Diner (2006) and Glasses (2007). Outside of Japan, Ogigami’s work has also been recognised by many international film festivals and her debut feature, Yoshino’s Barber Shop (2004) was a winner at Berlin International Film Festival, inspiring many triumphant returns to the festival since.
In celebration of the UK premiere of her latest feature Close-Knit at the BFI London Film Festival, the Japan Foundation has invited Ogigami to reflect on her unique cinematic style and career to date. Having worked on a number of productions both in Japan and the United States, Ogigami will discuss how her experience of diaspora influenced her approach to filmmaking and the current climate for female filmmakers both in Japan and overseas. Ogigami will be joined in conversation by curator and writer Jasper Sharp.
彼らが本気で編むときは、 「Karera ga Honki de Amu toki wa」
Running Time: 127 mins.
Director: Naoko Ogigami
Writer: Naoko Ogigami (Screenplay),
Starring: Rinka Kakihara, Toma Ikuta, Kenta Kiritani, Mimura, Eiko Koike, Mugi Kadowaki, Lily, Kaito Komie, Shuji Kashiwabara, Misako Tanako,
Naoko Ogigami is one of Japan’s interesting female directors, quietly working away making good films and many people are familiar with them. Yoshino’s Barber Shop (2004), Kamome Diner (2006), Glasses (2007), and Rent-a-Cat (2012) could be described as quirky dramas that pack a powerful emotional punch but Close-Knit is a lot more serious as Ogigami looks at LGBTQ issues in Japan, a country that is still conservative in some ways.
Close-Knit may be serious but it features many well-rounded characters that will suck you into the world of the characters and show you that love is everything when it comes to family and through this you will definitely get you to understand the issues. Here’s an interview involving Naoko Ogigami which goes through the film a bit more. Expect a review soon (because I have been scribbling notes down whilst in work).
Synopsis: Eleven-year-old Tomo is pretty much left to her own devices by a mother who is flighty, to say the least. Unwashed dishes are piling up in the sink and supermarket onigiri are all there is to eat again. Tomo’s single mother usually comes home late, and drunk. When she leaves her daughter for good one day the girl has to rely on help from her uncle, who takes in Tomo to live with him and his girlfriend Rinko. At their first meeting Tomo is flabbergasted to discover that Rinko is a transsexual. Rinko immediately sets about taking care of Tomo; not only does she lovingly prepare meals but she also succeeds in creating a new home for the girl. But before long cracks appear in their perfect nest.
Close-Knit (2017) will screen as part of the BFI London Film Festival 2017, supported by the Japan Foundation. The film will be shown following the talk at Ciné Lumière, Institut Français on Saturday 14 October 2017 at 18.00 and again at Rich Mix Cinema on Sunday, 15 October 2017 at 13.00, with Ogigami attending both screenings. To purchase tickets for either screening, please visit the BFI London Film Festival website.
